You may wish to see two introductory pages to this section first.
(left) Bronze copy of Augustus of Prima Porta; (right) western walls of the Roman town
Zaragoza is the time-honoured,
immortal capital of Aragon. Zaragoza was the Celtiberian Salduba; when Augustus, A.C. 25,
became its benefactor, it was called
(Strabo, iii. 225), of which the present name is a corruption. (..) There
are no remains of the Roman city,
which Moors and Spaniards have used
as a quarry, and whatever antiquities
turn up in digging new foundations
are reinterred as "useless old stones".
Richard Ford - A Handbook for Travellers in Spain - 1855
Eastern walls of the Roman town
Zaragoza, or Saragossa, is a very ancient town,
the foundation of which is incorrectly attributed to
the Phoenicians. (..) It was in a flourishing
state under the Romans, to whom it became a
colony, and was called Caesar-Augusta. It fell
into the power of the Goths, who made themselves
masters of it about the year 470. (..) The wall of Augustus
had four gates, opposite one another. (..) Several of the streets are straight, and of a breadth by which they might make
a figure amongst those of the most beautiful towns: one particularly deserves to be distinguished; it is in a direct line,
very wide, extremely long, and the houses in it are very regular: this is Calle del Coso (..) Coso is a corruption of Fosso, because it was the moat of the ancient Roman town; or what is
still more likely, of Corso, a name which might have been given
to it, as being intended for public festivals.
Alexandre de Laborde - A View of Spain - translated into English for Longman, Hurst, etc. 1809
Plaza del Pilar near the left bank of the River Ebro: (left) view from the western Roman walls with Nuestra Senora del Pilar in the foreground and La Seo in the background; (right) view from the eastern end of the square where evidence of the Roman Forum was found in 1988
cathedrals now rise in front; for in
Spain, that land of contrasts, this provincial city has two metropolitans,
while the capital, Madrid, has none. (..) The second cathedral, el
Pilar is so called from the identical
pillar on which the Virgin descended
from heaven. Ford
For a long time some sections of the town walls, the names of a few streets and the awareness that the centre of the ancient town was situated at Plaza del Pilar were the only evidence of the Roman past of Zaragoza.
Some walls of a Roman theatre were found by chance in 1972, south of Plaza del Pilar. A major campaign of excavations in 1998-2002 unearthed the lowest of the three tiers of its seating section. It is dated Ist century AD; similar to Teatro di Marcello in Rome it did not exploit a natural slope of the ground and it was built in opus caementicium. Archaeologists estimate it could seat 6,000. It was utilized for a couple of centuries; afterwards some of its stones were used to repair the walls.
(above-left and below) Museum of the Theatre: head of a member of the Julio-Claudian imperial family and architectural elements; (above-right) "Tabula Peutingeriana" a Vth century AD map of the roads of the Roman Empire showing: Caesaraugusta, Saguntum and Tarraco
Caesaraugusta was very well situated from a transportation point of view: the River Ebro was navigable and commodities including marbles could easily reach the town; roads linked the town to Tarraco, the capital of the Roman province, and to Saguntum, an important port. In addition a direct road linked Caesaraugusta with southern France across the Pyrenees and the town was the final point of roads from the inner regions of northern Spain. The wealth of the town is testified to by the decoration of its theatre.
Roman Forum: (left) lower structure of a building; (right) cloaca (sewer)
Some remains of the Forum were excavated in 1988-1991 near La Seo. They included a large rectangular portico which was completed at the time of Emperor Tiberius and an underground sewer which discharged wastewater into the nearby river. The portico was flanked by shops and one side of it housed a temple, most likely a Capitolium, a temple dedicated to Jupiter, Juno and Minerva, the deities who were worshipped on the Capitol Hill of Rome and were regarded as a symbol of the city (see the Capitolium of Thugga).
The image used as background for this page shows a statue which was found at the Forum.
Zaragoza is placed in
a fertile plain which is irrigated by
the Ebro; this river separates the city
from its suburb, and is crossed by a
good stone bridge. (..) Commence sight-seeing at the noble
stone bridge which was thrown across
the muddy Ebro in 1437. Ford
It is generally believed that a Roman stone bridge stood on the site of Puente de Pedra. According to chronicles it was destroyed and rebuilt in the IXth century during the Arab tenure of the town. In the early XVth century it must have been a ruin, because (Anti)Pope Benedict XIII, a member of one of the most important families of the kingdom of Aragon, promoted the construction of a new bridge. You may wish to see the well preserved Roman bridges of Emerita Augusta (Merida).
Structures of the Roman river harbour
The north-eastern corner of the Forum gave access to some structures of the Roman river harbour. These were not warehouses for stocking commodities, but rather a sort of vestibule for the passage of merchants to the Forum or of travellers to the boarding quay. The downstream river journey was most likely rather speedy, but the upstream one was very slow because the boats were towed by oxen or horses.
Baths: (left) "natatio", a shallow depth swimming pool; (right) portico and latrine
In 1982 evidence of a bath establishment was found between the Forum and the Theatre. Subsequent excavations identified the natatio of a frigidarium (cold room), a portico near the natatio and an adjoining latrine. The bath establishment is dated Ist century AD and its hot and tepid rooms have not been found yet. See a page describing a day at a Roman bath establishment according to Seneca, with views of Terme di Caracalla in Rome.
Museum Frederic Marès at Barcelona: Roman statues from Zaragoza, perhaps two nymphs (IInd century AD)
In the palace of the Inquisition (most likely Aljaferia) are two beautiful antique
statues, which are placed upon the last landing of the staircase;
but they are disguised by inappropriate ornaments, which
completely disfigure them: on that to the right, a head has
been fixed, with a bandage over the eyes, to represent Faith;
the other has a balance in her hand, to represent Justice, and
they are covered with drapery, as void of taste as it is ill executed. Laborde
The statues mentioned by Laborde are no longer at Aljaferia, but some Roman statues from Zaragoza are on display in Spanish museums. In general they were imported from Rome, Greece or today's Turkey.
Reliefs at Patio de la Infanta depicting some of the Labours of Hercules
The house which no amateur or
architect should fail to visit, is that
of the Infanta, which was built, in 1550, by
the wealthy merchant Gabriel Zaporta,
in the richest Aragonese cinque-cento
style. Enter the beautifully-decorated
patio, and observe the fluted pillars
and torsos, the projecting medallions
with most Italian-like heads. The
magnificent staircase has a rich roof
with groups of musicians, but all is
hastening to decay. Ford
The ancient past had an influence on the decoration of the Renaissance palaces of Zaragoza. Many towns of Spain (e.g. Seville and Toledo) claimed to have been founded by Hercules, so it is not surprising to see many references to him in the reliefs of Patio de la Infanta. The palace was damaged by fire in 1894. In 1903 the reliefs were disassembled and were bought by a French art dealer who shipped them to Paris. They were brought back to Zaragoza in 1958; in 1980 they were reconstructed inside the headquarters of a local bank.
Renaissance portal of Palacio de los Luna (the family of (Anti)Pope Benedict XIII aka Casa de los Gigantes. The statue on the right portrays Hercules, that on the left Geryon, an evil giant whose cattle Hercules stole
The chief street in Zaragoza is el
Coso. (..) Here are many good specimens of Zaragozan architecture: observe la Casa de los Gigantes. Ford
The portal is interesting for a detail which is typical of Roman triumphal arches, i.e. the depiction of a triumphal procession in a very long and small relief (see those in the arches of Trajan at Benevento and of Septimius Severus in Rome).
The convent of the Jeronymites, called Santa Engracia,
was founded by king Ferdinand and Isabella. (..) The church of this convent (..) has a portal in the form or plan of an altarpiece, of two stories of architecture. (..) The arch of the portal
is ornamented with heads of Seraphim, and close beside
two ancient medallions, under which are written these words:
Numa Pompilius, M. Antonius. Laborde
The church was destroyed by the blowing of mines by the French in 1808, but the portal with its reliefs was not greatly damaged. The names of Mark Antony and Numa Pompilius were most likely added during one of the many restorations/modifications of the portal; they do not make much sense, especially that of Mark Antony in a town which is named after Augustus.
Move to Mudéjar Zaragoza.
Plan of this section (see its introductory pages):
|Andalusia||Almeria Antequera Baelo Claudia Carmona Cordoba Granada Italica Jerez de la Frontera Medina Azahara Ronda Seville Tarifa|
|Castile||Archaeological Park of Carranque Castillo de Coca Olmedo Segovia Toledo Villa La Olmeda|
|Catalonia||Barcelona Emporiae Girona Tarragona|