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(left) The hill upon which Castel S. Pietro stands seen from Porta del Sole at Palestrina;
(blue dot and inset) bell tower of S. Maria della Costa seen from Palestrina; (right) bell tower of S. Maria della Costa
The hill-side above Palestrina is so bare and the sun beats
so pitilessly upon its white rocks, that it is best to put off the
ascent till near sunset. Augustus J. C. Hare - Days Near Rome - 1875.
Castel S. Pietro can barely be seen from Palestrina because of the steepness of the hill. Blessed Margherita Colonna, a XIIIth century nun, lived as a hermit at S. Maria della Costa. The name indicates that the church was situated on the edge of the hill.
By moving a few miles away from Palestrina it is possible to have a good view of Castel S. Pietro. The small town is even visible from Rome and Giuseppe Vasi showed it in his 1765 Grand View of Rome. There is no name but its location at the top of the Palestrina hill leaves no doubt about Vasi having depicted the small town.
Walls which surrounded the acropolis of ancient Praeneste
The top of the hill was the acropolis of Praeneste and it was protected by walls similar to those of other very ancient hill towns of the region such as Alatri and Segni. They are called polygonal walls because their boulders do not have a regular size and shape, but also cyclopean because it was thought that only giants could have lifted them.
S. Pietro Apostolo
The modern village of San Pietro is a place
so dilapidated and crumbling, so bare and colourless, that it
looks as if it had been transported from Africa to this windy
height. Here the Roman Catholic Church believes that St.
Peter dwelt for some time, and here, in the church, he is
commemorated in a statue by Bernini. Augustus C. Hare.
Hare would have been surprised to learn that many Italian movies of the 1950s were shot at Castel S. Pietro because it was regarded as a very picturesque location. The image used as background for this page shows actress Gina Lollobrigida in Bread, Love and Dreams (Pane Amore e Fantasia), a 1953 movie shot at Castel S. Pietro.
S. Pietro Apostolo - interior: (clockwise) ancient Roman tombstone turned into a holy water basin; stucco statues resembling those
at S. Giovanni dei Fiorentini; statue of St. Peter by Paolo Benaglia (and not by Gian Lorenzo Bernini);
coat of arms of Pope Clement XII
The church was built in ca 1732 at the initiative of Cesare Stefano Mocci, a local lawyer who was on friendly terms with Pope Clement XII, who financed the construction. The Pope is remembered by a bust and a coat of arms supported by flying Fames, similar to the gigantic ones designed by Paolo Benaglia at Fontana di Trevi and Palazzo della Consulta.
Rocca dei Colonna
Colonna of the middle ages looked down from the windows of the old
palace or castle, he might venture, as he gazed upon his possessions, to
feel that he was the richest and mightiest chieftain in Latium.
Ferdinand Gregorovius - The Roman Campagna (1858)
Rocca dei Colonna: details and 1482 inscription and coat of arms of Stefano Colonna
The castle was for many centuries a stronghold of the Colonna, but it was razed to the ground more than once. It was rebuilt in 1482 by Stefano Colonna. Because of its remote location it was often used as a prison (in 1268 Conradin of Swabia was brought here after having been betrayed by the Frangipane at Torre Astura).
North-western view over the Roman Campagna (above) and Rome (below - S. Pietro is clearly visible)
The inhabitants of Castel S. Pietro enjoy a view, whose beauty is indescribable. Here a great part of Latium lies spread out beneath the eyes on one side, and of Tuscany or the patrimony of S. Peter's on the other, a great and classic district, whence rise the Latin and Volscian mountains, between which a wide plain opens, reaching to the distant glancing sea. There is the world-town Rome steeped in the mist; there stands the island-like Soracte; hard by rise the mighty chains of the Apennines; on the left, at their feet, is the deep beautiful valley of the Sacco, over which shine the gleaming hill-towns of Monte-Fortino and Segni; further are the heights of the Serra, and the airy chiefs of all these hills, whose varied forms lose themselves in the sunny atmosphere beyond Anagni and Ferentino. One looks upon these plains and hills, bedecked with towns and villages, of which most are rich in associations, and the early history of Rome, the story of the empire, or of the middle ages, comes back to one's recollection, and when one feels that Umbria, the Sabina, Latium, the Equian territory, the land of the Hernicans, Etruria, the Volscian country, the Alban hills, and the sea are united in one panorama, one appreciates the grandeur of this view. F. Gregorovius.