All images © by Roberto Piperno, owner of the domain. Write to firstname.lastname@example.org.
Page revised in July 2020.
All images © by Roberto Piperno, owner of the domain. Write to email@example.com.
Page revised in July 2020.
Links to this page can be found in Book 7, Day 8 and View C2.
The page covers:
The plate by Giuseppe Vasi
Today's view (Cappella del SS. Crocifisso)
S. Maria del Rosario sul Monte Mario
S. Lazzaro in Borgo
Villa Massimo alla Balduina
S. Francesco d'Assisi a Monte Mario
Fontanile di Pio IX
In his 1756 book covering the friaries of Rome, Giuseppe Vasi did not show S. Maria sopra Minerva, the church of the main Dominican convent, but he preferred to focus on S. Sabina, a convent and church associated with St. Dominic's stay in Rome, and on the far away friary of S. Maria del Rosario sul Monte Mario which was assigned to the Dominicans at the beginning of the XVIIIth century.
Vasi probably liked the new design of the building by Filippo Raguzzini.
The view is taken from the green dot in the late XIXth century map below. In the description below the plate Vasi made reference to: 1) S. Maria del Rosario; 2) Cappella del SS. Crocifisso and Villa Mellini. The small map shows also 3) S. Lazzaro in Borgo; 4) Casale Strozzi; 5) Villa Massimo alla Balduina; 6) S. Francesco d'Assisi a Monte Mario aka S. Onofrio di Campagna; 7) Fontanile di Pio IX.
(above) View of Monte Mario from Loggia di Paolo III in Castel Sant'Angelo in February 2010; (below) S. Maria del Rosario seen from Villa Mellini in December 2010
Monte Mario is the hill which stands to the north of Prati di Castello, the meadows outside Porta Castello where the Romans had their picnics in the XVIIIth century.
The hill has been regarded as part of the historical landscape of Rome and (exception made for a luxury hotel in the 1950s) it has been developed only on the side which is not visible from the city.
In 1838 Pope Gregory XVI built new steps to facilitate the access to S. Maria del Rosario; Cappella del SS. Crocifisso was damaged in 1849 during the Defence of Rome and in 1883 it was eventually pulled down to enlarge the street leading to Villa Mellini, which was turned into an astronomical observatory.
(left) Fašade; (right) dome and bell tower (also in the image used as background for this page)
S. Maria del Rosario was built in the XVIth century as a parish church, but Pope Clement XI assigned it to the Dominicans and Pope Benedict XIII, a Dominican himself, commissioned the enlargement and redesign of the complex. During the French annexation of Rome the friary was closed; after the return of the popes it was assigned to Dominican nuns who still live in the building and attend mass behind a screen, as their rule requires strict seclusion.
(left) Madonna di S. Luca; (right) one of the small chapels which is decorated with the symbol of the Dominicans (a dog holding a torch)
The icon is aka Madonna di S. Sisto because it was originally located at S. Sisto Vecchio. It is an VIIIth century acheiropoieta image, i.e. it was not made by human hand; according to tradition St. Luke was the first icon painter. It was moved to this church in 1931. The image visible from the church is a copy because the original is on the other side and can be seen only from the nunnery.
The altarpiece by unknown painter shown above depicts the following event which occurred in the Convent of San Domenico in Soriano Calabro: On 15 September, 1530, three mysterious women appeared a few hours before Matins and one of them entrusted into the hands of the sacristan a roll of canvass to be presented to the House Superior. The friars found out later that the canvass had a painting of Saint Dominic. It was later revealed that the three ladies were in fact the Virgin Mary accompanied by Saint Catherine of Alexandria and Saint Mary Magdalene. When the picture was exposed to public veneration, a multitude of prodigies took place, the account of which fills volumes. No less than sixteen hundred of these miracles, juridically attested, took place within the space of seventy-eight years. Pope Innocent X, in the year 1644, granted a festival in commemoration of this event and of the vast number of miracles through this holy painting.
From the Veritas in Charitate website (it opens in another window).
The convent was razed to the ground by an earthquake in 1783.
Modern painting celebrating a vision by St. Dominic and the institution of the Feast of Our Lady of the Victory/Rosary by Pope Pius V (left) who had been a member of the Dominican Order. Pope Leo XIII (right) issued an encyclical letter on devotion of the Rosary in 1883; you may wish to see the same subject in a fine stucco by Giuseppe Serpotta in Palermo
Villa Mellini seen from S. Maria del Rosario
According to Vasi the hill was named after Mario Mellini (or Millini), who built his villa on its top. He had a house/tower near S. Maria dell'Anima and his heirs bought a palace in Via del Corso and had a family chapel at S. Maria del Popolo.
The building was greatly modified in 1939 when it was turned into the Astronomical Observatory of Rome (previously at Collegio Romano and at Palazzo Senatorio); it currently houses a small museum because the observatory was moved to Monte Porzio Catone after WWII and in 1965 to Campo Imperatore, a plateau on the Apennine Mountains at an altitude of 1,800m/6,000ft.
(left) View towards S. Pietro and Prati, a modern neighbourhood which has replaced the meadows outside Porta Castello; (right) view towards Ponte Emanuele Filiberto di Savoia Aosta and Ponte Milvio
Hinc septem dominos videre montes. Et totam licet aestimare Romam (from this point you can see the seven hills and appreciate Rome in its entirety) this sentence by which Latin poet Martial (Book 4 - Epigram 64) described the view from a friend's farm is generally interpreted as being referred to the Janiculum and Vasi included it in his 1765 Grand View of Rome; some historians however believe Martial was referring to Monte Mario. As a matter of fact Villa Mellini commands an excellent view over the City of Rome, but it is a view from a long distance and the monuments of Ancient Rome are barely visible.
View of Rome from Monte Mario: coloured engraving from a painting by Jacob Philipp Hackert (ca 1780)
I now revived my
botanical speculations, which I had indulged in the other day
during a walk towards Monte Mario, to the Villa Mellini, and
the Villa Madama. It is very interesting to observe the
working of a vigorous unceasing vegetation, which is here unbroken by any severe cold. Here there are no buds: one has
actually to learn what a bud is. The strawberry-tree is at this season, for the second time, in blossom, while
its last fruits are just ripening. So also the orange-tree may
seen in flower, and at the same time bearing partially and fully
ripened fruit. (..) As to the cypress, that most "venerable" of trees,
when it is old and well grown, it affords matter enough for
J. W. Goethe - Italian Journey - November 29, 1786 - 1885 edition by George Bell and Sons
We passed Monte Mario, and beheld the city gradually opening to our view: turrets and cupolas succeeded each other, with long lines of palaces between, till the dome of the Vatican, lifting its majestic form far above the rest, fixed the eye, and closed the scene with becoming grandeur.
John Chetwode Eustace - A Classical Tour through Italy in 1802
A delightful walk last Sunday to Monte Mario. (..) We strolled up the winding road to the Villa Mellini, where one of the greasy peasants huddled under the wall in the sun admits you for half a franc into the finest old ilex-walk in Italy. It is all vaulted grey-green shade with blue Campagna stretches in the interstices. The day was perfect; the still sunshine, as we sat at the twisted base of the old trees, seemed to have the drowsy hum of midsummer - with that charm of Italian vegetation that comes to us as its confession of having scenically served, to weariness at last, for some pastoral these many centuries a classic.
Read more of Henry James's account of his visit to Villa Mellini in January 1873.
(left) Fašade; (right) portal
S. Lazzaro in Borgo is a tiny XIIth century church at the foot of Monte Mario which was part of a small hospital for pilgrims who were suspected to be affected by leprosy; for this reason it was dedicated to Lazarus the Beggar, who was venerated as patron saint of lepers; according to Vasi the hospital was closed in the XVIIIth century when S. Gallicano was opened.
Casale Strozzi by Giacomo Del Duca
The modern road which reaches S. Maria del Rosario separates two farms which belonged to the Roman branch of the Florentine Strozzi family. One of the farms has an elegant design which is attributed to Giacomo Del Duca; it was probably utilized as a countryside residence because some of its rooms were decorated with frescoes. The Strozzi had a family chapel at S. Andrea della Valle and a palace nearby.
Via della Balduina
Abito alla Balduina (I live at Balduina) is not only an indication of where you live, but a sort of status symbol which says that you are very wealthy (or that you pretend to be). It is very expensive to buy or rent a flat in this
modern quarter of Rome, which is located behind Monte Mario on the site of some old villas, chiefly of Villa Massimo. The pines which surround the most expensive apartment blocks were planted in those villas.
Balduina is most likely a reference to an estate belonging to Baldovino Ciocchi del Monte, brother of Pope Julius III. The Pope had a villa opposite Monte Mario on the other side of the River Tiber.
(left) Fašade; (right) entrance and well
The casino of Villa Massimo still exists at No. 296 of Via della Balduina, behind a modern church. The two wings have lost their late XVIIth century decoration, but the central part retains it. The Massimo later on bought a villa near S. Giovanni in Laterano, a second one near Piazza di Termini and they had another villa near Via Nomentana. They sold their property on Monte Mario towards the end of the XIXth century.
(left) Fašade; (right) interior
Pilgrims from Florence to Rome travelled by Via Cassia;
when they arrived near the city they had the option to continue along this road to Ponte Milvio and enter Rome at
Porta del Popolo or to directly reach the Vatican through Via Trionfale
which was so named because it was used by Roman commanders returning to Rome after a victorious campaign.
In 1209 St. Francis of Assisi, on his way to Rome, at a turn of Via Trionfale first saw the city and he knelt and prayed. A church dedicated to him was built on that site by Pope Benedict XIII; it served the inhabitants of Borgo Clementino, a small settlement founded by Pope Clement XI.
Modern relief portraying St. Francis of Assisi when he first saw Rome
The church was aka S. Onofrio in Campagna because it was officiated by the monks of S. Onofrio. The site upon which it stands was called Monte Gaudio (of Joy) for the joy it gave pilgrims when they saw Rome.
Centrale Montemartini: stela of C. Julius Helius. It was found in 1887 in Via Trionfale (late Ist century AD)
By watching the naked bust and the portrait of the dead, one is easily led to believe he was a Roman senator or a military commander. The inscription however states his trade immediately after his name. He was a sutor, a shoemaker with a workshop at Porta Fontinalis. The exact location of this gate has not been determined, but it is generally thought it was near today's Piazza Venezia, close to Sepolcro di Caio Publicio Bibulo. It was therefore near the Roman Forum and C. Julius Helius sold his sandals to rich and important customers. He probably decided to be portrayed as one of them, contrary to a popular Latin saying (Sutor ne supra crepidam) which advised shoemakers not to exceed their limited expertise when making judgements. You may wish to see a page on Roman Feet and Sandals and the tombstone of a shoemaker of Durocortorum (Reims) who chose to be portrayed in his workshop.
(left) Fontanile; (right) coat of arms of Pope Pius IX and 1866 inscription
The Papal State between 1860 and 1870 was limited to Latium, the region around Rome; Pope Pius IX was confronted with severe budget constraints and therefore he celebrated with his coat of arms and inscriptions even the most modest improvements he made to public facilities, such as a series of sheltered basins for washing clothes for the women of Borgo Clementino.
Next plate in Book 7: Chiesa e Convento di S. Francesco a Ripa.
Next step in Day 8 itinerary: Villa Madama.
Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:
Chiesa di s. Lazzaro
Circa l'anno 1187. fu questa piccola chiesa eretta da un povero di nazione Francese con uno spedale per i poveri lebbrosi, e fu dedicata a s. Lazzaro mendico, e similmente al fratello di s. Maria Maddalena penitente; ma essendo ora stato eretto lo spedale di s. Gallicano in Trastevere per li rognosi, con quelli furono uniti i lebbrosi, rimanendo quivi la cura delle anime, dipendente dalla basilica Vaticana, proseguendo poi il cammino per il clivo del monte, che anticamente dicevasi di Cinna, si trova nell'alto la
Chiesa del ss. Crocifisso a monte Mario
Fu questa piccola chiesa, o cappella eretta circa l'anno 1470. in onore della ss. Croce da Pietro Mellini, quivi presso una sua possessione, e vi si conserva il corpo di s. Moderato martire. Si vede poi dall'altra parte della strada, e sull'alto del monte la
Chiesa e Conv. di s. Maria del Rosario
Da Gio. Vittorio de Rossi fu eretta questa chiesa, a cui Ŕ unito il convento de' frati Domenicani, che fu rinnovato da Benedetto XIII. il quale vi andava spesso a dimorarvi, trattenendosi religiosamente e senza Corte, appunto come uno di quei frati. Nell'altra punta del monte evvi la
Villa e casino Mellini
Non giÓ da Mario Console, ma da Mario della famiglia Mellini Romana, prese il moderno nome questo monte, mentre avendo nel Pontificato di Sisto IV. eretta questa villa nel pi¨ alto e delizioso luogo del monte, che malo dicevasi, egli cambiolli il nome in monte Mario. Dalla parte di esso verso ponente, e verso il fine delle vigne, evvi la chiesa di s Francesco di Assisi edificata dall'abate Neri con il convento, ove oggi abitano i frati Girolamini di s. Onofrio, i quali amministrano la cura delle anime di quella contrada.